Both, and most brands do some of each. If you already have footage and product shots, we cut that into ads, emails, and social. If you don't have anything usable, we come shoot it. A lot of brands start by sending us what they have and move to scheduled shoots once they see what real footage does to their numbers.

Yes. Most of what we shoot is on location, wherever the brand and the product actually live. Hunts, water, ranges, shop floors, trade shows. Filming outdoor gear in a studio is how you end up with content that doesn't look like the industry.

Depends on how many days, how far we're going, and how much content you need out of it. A one day product shoot and a week in the backcountry are different numbers.

Yes. Finished cuts, stills, and the raw files. You own everything we shoot for you and you keep it if you ever stop working with us.

More than most brands expect. A single day usually produces enough to feed ads and social for a couple of months, because we shoot with the end use in mind instead of collecting pretty footage and figuring it out later. You get vertical, square, and horizontal versions of everything.

Often that's the best footage there is. Real hunts, real conditions, real reactions. Tell us what's on the calendar and we'll work around it. Just give us enough lead time to plan around tags, weather, and travel.

Both. Shooting is half the job. We cut everything, write the copy that goes with it, and deliver it ready to run. You are not getting a hard drive and a good luck.

Ongoing creative comes with the marketing plans. Full production shoots get scoped on their own because travel and crew time vary. Plenty of brands do just the shoot and take the footage from there, and that's fine too.